[Solo Show] BECOMING EMBELLISHMENT 12. Oct. - 15. Dec. 2024 Park Inseong | Yoonsun Gallery  ...The hybrid nature of the pictures of Park Inseong, their development out of different media, transports what has become our everyday, multilayered and constantly moving perception. Even if Park proceeds in an experimental manner, he repeatedly finds a form that is capable of convincing us. The pictures are like occurrences which, as in the flow of our lives, take on a provisional form only to be pushed aside by others with the passing of time. Nonetheless, they prove in retrospect to have been significant moments and accordingly remain contoured and fixed in our memory...
[Group Show] VI-SIC : Melody of Sight 08. Mar. - 19. May. 2024 Kim Hyun-Sik, Lee Yong-Baek, Lim Hyun-Hee, Park In-Seong The exhibition [VI·SIC] by contemporary artists Lee Yong-baek (李庸白, 1966-), Kim Hyun-sik (金玄植, 1965-), Lim Hyun-hee (1984-), and Park In-seong (朴寅成, 1984-) will be held at Daegu Yoonsun Gallery. ‘VI·SIC’ is a compound word of visual art and music . . .  . . .The world of artists Hyunsik Kim, Yongbaek Lee, Inseong Park, and Hyunhee Lim goes beyond the contextualism and symbolism of visual art, and they are artists who directly move us like music, so we would like to name them VIㆍSIC to mean visual art like music. The fact that the four artists' art, or visual art, resonates directly like music is related to their spiritual spirit, respect for honest and unfeigned labor, and respect for the truth. This is because work is done by judging whether or not there is a break.
[Group Show] THE OTHER SIDE 20. Nov. - 30. Dec. 2023 Kim Ryang-Hee, Kim Jae-Yoo, Park In-Seong, Baek Da-Rae, Song Seok-Woo Artists express the invisible world, the world of coexistence, in their own way. Artists focus on what they want to express rather than on relationships of actual existence, such as the gap and unfamiliarity that comes from relationships, freshness, ambiguity, and new images such as multiple scenes superimposed. Nothing is certain, and each individual's perspective becomes the standard, defining each new time and space, and disparate things come together to create another meaning. This is an extremely personal choice and gives personal meaning. Let’s take a look at the world beyond that expressed by artists in this undefinable world.
[Solo Show] JENSEITS VOM ALTEN MOND 13. May. - 30. Jul. 2023 Park Inseong | Solgeo Art Museum  . . . This perspective shows that the methods of recording the past and the present are changing depending on the environment, and that the records that past and future mankind will view and select have and will continue to change due to the influence of society, culture, and values. suggests. In this exhibition, artist Inseong Park seeks to address “the causes and consequences of humanity’s comprehensive recorded culture” through visual art work. We aim to present various perspectives on documentary culture to the audience by analyzing the records and formats of the past as seen from the present and exhibiting the resulting results through visual media. By overlapping the myths, tales, and history of Gyeongju (Seorabeol), a city that has existed since ancient times, where the exhibition is held, with the current Gyeongju, we aim to point out what and how to record and share . . .​​​​​​​
[Group Show] WITCHES ESCAPING THE MARCH 19. Nov. - 31. Dec. 2022 Kim Il-Ji, Park In-Seong, Ahn Hyo-Chan, Lim Do In the title of this exhibition, ‘assembly’ symbolizes the contemporary era. Modern people who are aware of the limitations of modernity and post-modernity have the choice of finding new alternatives or moving forward by gradually modifying conventions. In addition, a 'witch' is a character who is misunderstood or misunderstood in this society and can be replaced by anyone. The exhibition [Witches Leaving the Coven] asks how ‘we’, members of this society, can create a better world.
[Solo Show] YOU : IN THE FANTASY 07. Oct. - 30. Oct. 2022 Park Inseong | Art Space LINK This exhibition, ‘You : in the Fantasy’, borrows the title of a popular song that dominated an era. This is similar to Park Inseong's work in that it dismantles the existing codes we are familiar with and shows an unfamiliar world with new forms and sensibilities. Like the lyrics, ‘Even if everything is falling apart, you are still there in the fantasy,’ Park Inseong’s hazy and ambiguous screen allows the audience to focus on the reality beyond the indiscernible objects and images, and to see one’s own appearance standing alone within it. Let us gain insight into its essence. The world that originates from the fantasy of a painter or writer who pursues ‘reality’ more than anything else can only exist through the power of fantasy, which is more carefully structured than reality, and at the same time, the power of reality that pierces that fantasy once again is layered together.
[Group Show] MINUS 05. Aug. - 25. Sep. 2022 Lee Chang-Hoon, Han Ji-Soc, Park In-Seong The title “Minus” has a special meaning. First, expresses the artists' will to move from abstract space to absolute space. Second, it reflects the author's intention to move from the aesthetic realm to the moral realm. Third, it refers to the author's insight into examining the fundamental differences between Western culture, such as Indo-German languages, and East Asian culture.
[Solo Show] ABSTRAKTES FOTO 15. Mar. - 28. Mar. 2022 Park Inseong | INYOUNG Gallery  . . . As per the artist's detailed intention, the conflicting elements of romanticism, modernism, analog, and digital maintain a state of tension and support each other in the work. The complete scene pursued by the artist refers to visual thinking that allows the past, present, and future of visual culture to be reflected and predicted at the same time. Artist's visual thinking has now opened its doors. Therefore, I sincerely hope that the author will soon overcome the tributary stream, land on the magnificent main stream, and succeed in riding the wonderful flow. And it is predicted that this trend will arrive in the not too distant future . . .
[Solo Show] HIDDEN SURFACE 28. Jun. - 23. Jul. 2021 Park Inseong | Hidden Space  . . . The main works in this exhibition “Hidden Surface” are stories about art through film. In the West, art was a medium that had to prioritize beauty. This basic premise has been maintained for a long time. Kalokagathia is a mysterious idea in which truth, goodness, and beauty are all mixed together. It is a compound word of Kallos, meaning beauty, and Agathos, meaning goodness. It refers to a state in which physical, moral, and mental virtues (Arete) are appropriately harmonized. The history of Western art shows the process of elements gradually becoming isolated from Kalokagatia. Art, in which refined and beautiful stories were unfolded with amazing skill and imagination, gradually began to distance itself from the dual values ​​of beauty, good and evil, good and bad, honor and glory, and wealth . . .
[Group Show] PARTIAL HORIZON 05. Dec. - 28. Dec. 2020 Park Inseong, Park Sung-Duk  . . . Artists Park Seong-deok and Park In-seong do not value the camera's ability to record in general or provide one-sided information. He is not even interested in capturing beautiful scenes. At least that's what the work results show. There is no doubt that the camera is a tool to look into the world, but the way it is used is a little different from others. One person becomes the film of the photograph, and the other uses the camera in a way to view the outside scenery that film can never capture. The two's exhibition, Dictionary of Camera Terms, held at the cultural space Cabaret Voltaire from September 11 to 25, was neither an exhibition about a machine called a camera nor an exhibition about well-photographed subjects . . .
[Solo Show] LIFE, LIVE FOREVER AS IT IS 16. Jul. - 22. Aug. 2020 Park Inseong | Daegu Arts Center  . . . This exhibition, which has been held since 1998 and celebrates its 23rd anniversary this year, introduces to the public the works of young artists who are embarking on the path of full-fledged artists and conducting various experiments to establish their own world of work, and serves as the foundation for their growth. This is an exhibition designed to help. Through the [Young Artist of the Year] exhibition, which has been an opportunity to discover and introduce young artists in the Daegu and Gyeongbuk region for 23 years, 179 artists have had the opportunity to grow as leading artists not only in the region but also in the Korean art world. The artists selected this year - Kwon Hyo-jeong, Kim Seung-hyun, Park In-seong, Lee Seung-hee, and Kim So-hee - are making various concerns, technical expressions, and attempts to create their own world of work. We would like to express our deepest gratitude and congratulations to the artists who have been working hard since last January to prepare for the exhibition . . .
[Group Show] CROSSED PERSPECTIVE 14. Jan. - 23. Feb. 2020 20 Artists The [Crossed Perspective] exhibition is a performance exhibition of Daegu Arts Power Plant's 9th resident artists, and 20 resident artists active in the visual and performance fields participate. This exhibition creates a space where the various perspectives of the 9th resident artists encounter, collide, coexist, and confront each other. These 'crossed perspectives' are closely intertwined aesthetically with the issues that today's artists are trying to address. That's because modern art is associated with the creation of forms that combine heterogeneous units at a certain level to create relationships with the world. The 9th resident artists will present a variety of works that exude unexpected energy through these ‘Crossed Perspective’.
[Solo Show] FLOATED DOCUMENTARY 17. Sep. - 19. Oct. 2019 Park Inseong | EUL Gallery  . . .  Artist Park In-seong is holding his first solo exhibition after returning from studying abroad at the Nuremberg University of Arts in Germany. His solo exhibition, ‘Floating Documentary,’ held at Eul Gallery until October 19th is a huge question in itself. It's also very tricky. Scan analog film to digital Abstract bird image induces optical illusion Work that compares and experiments with extreme concepts . . .
[Degree Show] AbsolventInnenausstellung 18. Oct. - 21. Oct. 2018 Various Artists The graduate exhibition is taking place on campus for the fourth time - classrooms are becoming exhibition cubes and project rooms are being transformed into large-scale installations and presentation platforms. The graduates are saying goodbye to the academy with an exhibition in which students from almost all classes are taking part. The spectrum of artistic means of expression can unfold in its entirety. Works are being shown that the students consider to be groundbreaking for their artistic development, as graduation also represents a turning point in their artistic career. The safe realms of the protected academy environment are being left behind and new paths are being taken.
[Group Show] U2-TURN 26. Jul. - 09. Aug. 2017 Mr. HA, Park Inseong, Park Sung-Duk Under the title “U2-turn”, the 3 artists (Inseong Park, Sungduk Park and Mr. Ha) are showing collaborative works that were created in Germany over the last 5 years. They not only work together under the main title, but also take up their personal positions through subtitles that they deal with. “Definition (Inseong Park)”, “Classification (Sungduk Park)” and “Value (Mr. Ha)” are what it is about and each artist tries to elevate and present the topic to their own aspects. On this occasion, you will be able to see how the 3 different themes have come together on one level and how the artists link them together on site and yet each space differs in terms of depth, height and width.
[Group Show] HYPERSTITION 18. May. - 21. May. 2017 Hez Kim, Park Inseong, Jowoo, Park Sung-Duk Hyperstition is a neologism and portmanteau combining the words hyper and superstition. Hyper is from the Greek word that is used as a prefix in English meaning “above”, or used in scientific terminology to indicate something having greater than three spatial dimensions. Superstition is from the Latin word superstes (standing over) and is defined by The American Heritage® Dictionary of the English Language, Fourth Edition as “an irrational belief that an object, action, or circumstance not logically related to a course of events influences its outcome.” Hyperstition has come to encompass the quality of actively altering one’s reality in such a way as to bring about demonstrable change.
[Solo Show] DAS IST PLURAL 19. Jan. - 22. Jan. 2017 Park Inseong | Edel Extra You need your own imagination and expressiveness to reconstruct the shared action with your own way of perceiving and expressing it. And we already have that. It just depends on whether you have perceived it, because there is a huge gap between them when you look at it. If we have already had that, then we can look at more than a hundred faces of Janus at the same time. The faces that appear do not return to one face; they continue to perceive and express themselves with separate facial expressions. However, the faces are not particular faces because they were positioned on one face. And the other facial expressions just stare at each other. Therefore, "the" would not be "plural", but "plural" would be "that".
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